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Title | : | The Darkest Road (The Fionavar Tapestry #3) |
Author | : | Guy Gavriel Kay |
Book Format | : | Paperback |
Book Edition | : | Special Edition |
Pages | : | Pages: 448 pages |
Published | : | September 1st 1992 by Roc (first published 1986) |
Categories | : | Fantasy. Fiction. Epic Fantasy. High Fantasy. Science Fiction Fantasy |

Guy Gavriel Kay
Paperback | Pages: 448 pages Rating: 4.19 | 15370 Users | 509 Reviews
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SPOILERS AHEAD, SO MANY SPOILERS The concluding volume of Fionavar Tapestry is a perfect fantasy novel. Happily stripped of the awkward, stilted ‘real world’ situations and dialogue that occasionally marred the preceding novels, The Darkest Road takes place entirely in Fionavar and is all the stronger because of it. The narrative is simple: the characters all engage in a series of final meetings, battles, and individual confrontations that were carefully set up in books 1 and 2. The world is saved, of course. And at such a high cost, of course. The writing is also straightforward. This is not a novel full of lush description; nevertheless, the carefully chosen words, the elegantly stripped-down prose, the overall precision and artistry of the writing should serve as a lesson to all would-be writers: sometimes lavish world-building is not necessary to create a world, or to create a work of art. Kay conveys everything he needs to convey in language that is as simple yet as poetic as a fable. The entire trilogy, rooted as it is in timeless myths, has all the resonance of genuine mythology, one that describes both the beginning and end of all such legends. Much like similar works of art (john crowley’s The Deep, for example), Kay boils down the tropes of fantasy literature until they are at their most iconic, and then breathes wonderful new life into them. Who takes the Darkest Road? So many of Fionavar Tapestry’s characters must walk paths that end in death and darkness. Finn takes a solitary path, riding with The Wild Hunt, slaughtering evil and good alike, becoming a thread of chaos in the tapestry. But in the end, he makes his choice, and chooses well, as all heroes must. All of the heroes in the series are faced with hard life choices, and all of them choose well in the end. It is a glorious thing, and it is a big part of what brings the trilogy to the level of myth. But the fate of brave, sweet Finn, turning from The Wild Hunt and then literally falling from the sky to his death – that is something even more. It felt like I was reading a fable’s first iteration, the story of a kind of Icarus, one who willingly chooses his tragic fate, in service of others. Diarmud takes a deadly path at the end, to his own end. There is not much I can say about this sequence, other than that I shed some tears at the end of it. A character so full of life, yet so blithely willing to sacrifice that life for others, in an instant. An amazing thing. Galadan’s whole existence is The Darkest Road. His transformation at the end, his ability to become something greater, something good, was carefully set up from the start of the tale. He is a man in love after all, and moved to his deeds because of that love’s rejection and the loneliness that followed. But despite the hints of what was to pass, when it did come to pass after all, it was still incredibly moving. Not all things from the dark are….all dark. Is there a more humanistic sentiment? And Darien takes the Darkest Road, of course. His path is the path of the title: a road without friends, without a moral compass, one that leads to the heart of evil and one that ends in a sad and tragically lonely death. But such a death! He saves the world with his courage and his grace. Kay does not allow Darien’s final end to be easy for the reader…there is no one there at the boy's side, to protect him, to embrace him as he dies, to thank him for his sacrifice, to hold him as any child should be held when they are afraid and all alone. It is one of the saddest, bravest, most beautiful deaths I’ve ever read in fantasy literature. Kay’s imagination is impressive, but even more impressive is his willingness to let tragedies be truly tragic, in the most real of ways. He does not try to balance the deaths out so that the reader is given a kind of easy comfort, a kind of well-they-may-have-lost-so & so but at least they have so & so. He does not make things easy. Some characters are not harmed and achieve a happy ending. Other characters are gone, forever. One set of parents sees both of their brave sons returned to them, and it is a joyous thing. Another set of parents have young sons who both die in the struggle, and in the end they are left alone with each other, and it is a terrible thing. A prince who is full of war, grim and unyielding, lives to rule; a prince that is full of light and a future full of love, is slain. A good seer’s soul remains forever exiled, outside of time. A student from our world remains dead, never to return to his own father. A child dies alone, with no one to tell him that he is loved. So many sad things. Such a beautiful tale, such a battle, and so hard-won, so resonant.List Books During The Darkest Road (The Fionavar Tapestry #3)
Original Title: | The Darkest Road |
ISBN: | 0451451805 (ISBN13: 9780451451804) |
Edition Language: | English |
Series: | The Fionavar Tapestry #3 |
Characters: | Diarmuid dan Aillel, Loren Silvercloak, Matt Soren, Aileron dan Aillel, Aillel dan Art, Kim Ford, Ysanne, Paul Schafer, Jennifer Lowell, Rakoth Maugrim, Metran, Dave Martyniuk |
Literary Awards: | Locus Award Nominee for Best Fantasy Novel (1987) |
Rating Appertaining To Books The Darkest Road (The Fionavar Tapestry #3)
Ratings: 4.19 From 15370 Users | 509 ReviewsArticle Appertaining To Books The Darkest Road (The Fionavar Tapestry #3)
SPOILERS AHEAD, SO MANY SPOILERSThe concluding volume of Fionavar Tapestry is a perfect fantasy novel. Happily stripped of the awkward, stilted real world situations and dialogue that occasionally marred the preceding novels, The Darkest Road takes place entirely in Fionavar and is all the stronger because of it. The narrative is simple: the characters all engage in a series of final meetings, battles, and individual confrontations that were carefully set up in books 1 and 2. The world is saved,Wow! Even in this early (1986) effort, Kay came through with a original and satisfying story. The original part was noteworthy because, as he did in many novels since, the basic elements of his story were drawn from real history and mythology. ("Real mythology"? Some authors, from Tolkien on, created whole worlds with new-from-the-ground-up histories and mythologies. Kay took existing ones--British, in this case--to re-cast for his story.)The series as a whole featured an great deal of
And I'm done. This is going to be a really, really short review. First things first, fuck you author. On to some more interesting stuff, the Darkest Road is actually a dark road for absolution, sacrifice and anything that is in the light. Goodness knows I wept like a 2yo throughout this book, I had goosebumps, laughed and was drunk on euphoria, tch tch'd on a few choices and I've lived my life in Fionavar with these characters. If you're expecting a great final battle between the forces of evil

SPOILERS AHEAD, SO MANY SPOILERSThe concluding volume of Fionavar Tapestry is a perfect fantasy novel. Happily stripped of the awkward, stilted real world situations and dialogue that occasionally marred the preceding novels, The Darkest Road takes place entirely in Fionavar and is all the stronger because of it. The narrative is simple: the characters all engage in a series of final meetings, battles, and individual confrontations that were carefully set up in books 1 and 2. The world is saved,
No matter how many times I read them, these books still make me cry, and more, they still have me reading late into the night, breathless and stunned. I know what's going to happen, but that doesn't take any of the poignancy out of it. Of the three books, this is the strongest: the best prose, the best action, the best images, the best in all the characters. He draws everything together do well, and puts the readers' hearts through a blender without caring how much they're undoubtedly cursing
The Darkest Road is the final book in The Fionavar Tapestry. This series started off really strong. The first book had a few rough patches, but I had no problem overlooking them due to my interest in the characters and the story and the newly-introduced setting. The second and third books became more problematic for me. I did still enjoy them, but I enjoyed each book less than the one before.The second and third books rely to an increasingly heavy extent on real-world myths and legends, and that
Wow! Even in this early (1986) effort, Kay came through with a original and satisfying story. The original part was noteworthy because, as he did in many novels since, the basic elements of his story were drawn from real history and mythology. ("Real mythology"? Some authors, from Tolkien on, created whole worlds with new-from-the-ground-up histories and mythologies. Kay took existing ones--British, in this case--to re-cast for his story.)The series as a whole featured an great deal of
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